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Directors
Eduardo  
Baileys
Metro
 
Rubber Cement
Nuns
 
Danao
Brazil
 
Christmas National Lottery
Director's Cut
   

Eduardo.’s first shot at professional storytelling was a documentary about Don Quixote filmed on 16mm. Of British and Spanish parentage, he spent two years at the London Film School before moving to Spain where he started his own commercial production company. E.M. focuses his efforts at getting the best out of actors and models when the camera rolls. Awards in the US, UK, and Cannes (Grand Prix Cannes 1992) have been the fruits of this veteran filmmaker’s careful study and planning on how to tell a visually impacting story.


Jason  
L'Oreal
Endless Lip Color
 
7CI
What I Want
 
Miller High Life
Russian Bride
       

Jason’s first work with the moving image was as an underwater videographer in the US Virgin Islands. Hurricanes eventually forced him topside, and he worked for four years in Texas as a first AD, Production Manager, and Producer on regional and national commercials. On the heels of his 2001 award-winning short film The Post-Modern Man, he moved to Los Angeles and began directing full-time for clients such as Intel, Compaq, Microsoft, Honda, Nissan, and Mazda. His ability to combine visual flare with the fundamentals of storytelling gained the attention of Group101 Spots, and the subsequent commercials led to his joining Amazon Films in the US. In 2006 he moved to London to marry an Italian photographer. J.L. currently directs a variety of corporate films, virals, and commercials in Europe for clients such as LloydsTSB, Nationwide, Sainsbury’s, T-Mobile, Unilever, KPMG, Investec, Royal Mail, and O2/Telefonica. Work with Camino Media has continued to feed his passion for all things Mediterranean.


Gabriel  
Marques Riscal
Ryder Cup
 
Bosch
Jackhammer
 
Coca Cola
Smart Coupe
 
PSA
Drug Abuse
Director's Cut
 

Gabriel blends into each final cut his love of cinema with an agency criteria learned during a decade producing commercials for top clients in Spain. His second decade in the biz has seen him draw inspiration from trademark cinema directors to prioritise an effective script and style over gratuitous post-pro effects in his direction and edit of spots, high-end corporate and music videos. While always open to suggestion, it is his clear vision on set that permits GS to shoot for the edit suite in a time and cost-effective turnaround.


Endor  
Janssen Cilag
Couple
 
Madrid 47
Dance School
 
Digital EMCA
Garage
       

Endor is our in-house direction team. This collective has been delivering turnkey productions in most all genres for more than a decade, optimising its multi-talented skill base and ownership of cutting-edge production and post-production tools to overcome budget limitations. Teamwork is fundamental to the approach, but not without leadership that facilitates streamlined cooperation with end-clients from concept to completion.


Bruno

  Plastesol



Plastesol
  Smirnoff
Smirnoff
  Telecel
Telecel
       

Bruno's dogma is “Power to your ideas”.  The result is a signature take powered by a camera compelled to tell a story.   Though born in France, Bruno’s career flourished in Portugal where he transitioned from a high-profile career directing TV programming to shooting commercials because the catering was better.  He also enjoys storytelling in corporate films and video art. Bruno has won accolades like the Gold Award at New York Festival, several awards at FLAP, and Bronze medal at the European Night of Music Video.  


 
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